Richardson
Theatre Centre, 518 W. Arapaho Road., Suite 113, Richardson, TX 75080 |
2018 Shows The Games Afoot or Holmes for the Holidays Directed by Rachael Lindley It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. It is then up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger and hilarity are non-stop in this glittering whodunit set during the Christmas holidays. The Odd Couple This classic comedy opens as a group of the guys assemble for cards in the apartment of divorced Oscar Madison. And if the mess is any indication, it's no wonder that his wife left him. Late to arrive is Felix Unger, who has just been separated from his wife. Fastidious, depressed, and none too tense, Felix seems suicidal, but as the action unfolds, Oscar becomes the one with murder on his mind when the clean freak and the slob ultimately decide to room together with hilarious results as The Odd Couple is born! Directed by Rachael Lindley The Column Review by Carol M. Rice: http://thecolumnonline.com/review/01-29-2018_THE-ODD-COUPLE/
Lettice and Lovage What happens when an eccentric tour guide is assigned to the dullest house in England? After watching her groups dwindle with boredom, she begins to elaborate. As she adds wildly dramatic tales of murder and intrigue, she begins to receive ovations from her increasing audiences. Her success is cut short when the formidable head of the Historic Tours shows up. Directed by Rachael Lindley
Sordid Lives CONTENT WARNING: Contains some strong language. Directed by Rachael Lindley The bizarre death of Peggy Ingraham, the matriarch of a working-class Texas family, sets off fireworks within her dysfunctional family. Her determinedly proper daughter Latrelle is in denial over the fact that her son Ty, an actor trying to make it in Hollywood, is gay, and is relieved that her only brother, a gay drag queen and dedicated Tammy Wynette impersonator, has been confined to a mental institution for 23 years simply because he is gay. Latrelle's brassy sister LaVonda, however, thinks her brother should be released from the institution and has a perfect right to attend their mother's funeral. Meanwhile, Ty, who has strived hard to accept his homo sexuality, realizes that there is no way he can return home for his grandmother's funeral without coming out to his mother. Patron Review for Sordid Lives by Robyn Mead Patron Review for Sordid Lives by Rusty Harding
Harvey Cast: Lise Alexander, Debbie Deverich, Dan Evers*, Sue Goodner, Rusty Harding, Budd Mahan, Jonathan Osborne, Jane Talbert, Courtney Walsh, and Lloyd Webb Harvey is the story of a perfect gentleman, Elwood P. Dowd, and his best friend, Harvey -- a pooka, who is a six-foot tall, invisible rabbit. When Elwood begins introducing Harvey around town, his embarrassed sister, Veta Louise, and her daughter, Myrtle Mae, determine to commit Elwood to a sanitarium. A mistake is made, however, and Veta is committed rather than Elwood! Eventually, the mistake is realized, and a frantic search begins for Elwood and the invisible pooka, which ends with Elwood appearing, voluntarily, at the sanitarium. In the end, however, Veta realizes that she loves her brother and his invisible his best friend just as they are, and doesn’t want either of them to change. REVIEWS FOR HARVEY
Funny Little Thing Called Love Funny Little Thing Called Love Reviewed by Chris Hauge, Associate Critic for John Garcia's THE COLUMN The Innocents This story begins when a young governess arrives at an English estate to oversee two precocious, orphaned youngsters. There's also a motherly cook, but these four aren't alone - they're haunted by fears and phantoms and by ghastly shadows. The governess and cook are terrified, but the children are possessed by the spirits and welcome their visitations. The governess learns the spirits are those of the former caretaker and maid, both perverse, who corrupted the souls of the innocents. In a final scene, full of fear and terror, she learns that the two are now inseparable the evil and the innocents. Review for The Innocents by Rebecca Roberts, Associate Critic for John Garcia's THE COLUMN |
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